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IR songs with 5 beat cycle - kaNda chApu songs - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்)

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IR songs with 5 beat cycle - kaNda chApu songs  - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்) - Page 2 Empty Re: IR songs with 5 beat cycle - kaNda chApu songs - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்)

Post  app_engine Tue 19 Feb 2019 - 0:53

#19
pAmbu ena vEmbu ena

பாம்பு என வேம்பு என
(சக்திவேல்)


https://www.youtube.com/watch?v=xK2gGcAvHz4


@vrsaran sir posted about the IR-75 program on Sun TV where KSR supposedly talked about this number.

This is in the typical usage of this nadai (emotion-charged-high-speed-number-with-some-religious-connotation). The song changes nadai in its course, which is not unusual - as it happened with many such older numbers.

As usual, always being sensitive to my own ulterior interests Laughing , grabbed the song to host in this thread Smile

app_engine

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IR songs with 5 beat cycle - kaNda chApu songs  - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்) - Page 2 Empty Re: IR songs with 5 beat cycle - kaNda chApu songs - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்)

Post  app_engine Thu 13 Aug 2020 - 17:19

Not the whole song but towards the end IR switches to the "thaka-thakita" pattern, to get the required effect for the situation.

Not going to add a number to this but need to include / mention in this thread, as this is the typical use of this nadai in TFM songs and IR too chose to stick to this convention in his early days Smile

Ezhu kadal nAyaki (bairavi, 1978).

Listen to the last minute of this song :

https://www.youtube.com/watch?v=hd7MegHX7Go


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IR songs with 5 beat cycle - kaNda chApu songs  - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்) - Page 2 Empty Re: IR songs with 5 beat cycle - kaNda chApu songs - தக-தகிட - #19 பாம்பு என வேம்பு என (சக்திவேல்)

Post  app_engine Wed 17 Nov 2021 - 19:22

Another case of "not-the-whole-song-but-towards-the-end-getting-into-thaka-thakita" Smile

Obviously for the high burst of emotions and to keep the audience in grip, this nadai is employed here - in the second saraNam. This is perhaps the traditional use of this nadai in film songs.

My first listen of the "whole song" only today (for Pulavar thread) and that's how identifying this "kaNda nadai"

pAdippAdi azhaiththEn (maruthu pANdi)

https://www.youtube.com/watch?v=Qy8xZYTftQc


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